I knew. It didn’t
take long, just a few notes. I think you may find this is true for you too.
I want you to
listen and see if you agree. Here is a song performed by Genna Matthew:
One of my all
time favorite stories about college admission is tied to this song. As you can
tell by the title—wait list—it has a direct bearing on an admission decision.
Since then, Genna has done wonderful things.
Now there is more music and an EP. If you read
Genna’s interview below you will hear about how she has progressed from a student to
a talented musician who has a chance to make her mark. I have been lucky to know her for quite some time and find her story one that I hope will inspire others to pursue their dreams too.
After that, I
will talk about how her music changed the way I thought, not just about her,
but about what should matter in the world of selective admission.
*********************************************************************************
Questions
Can you tell us a
little about yourself and your family? Where were you born and where did you
grow up?
I was born here in Charlottesville,
and lived out in Batesville until I was about four. We lived in a really
close-knit, creative community out there, and I have a lot of really fond
memories of that place, for having been so young. We then moved to
Charlottesville, where we’ve been ever since. I have a wonderfully unique
family (don’t we all?). My parents divorced when I was young, and have since
remarried. So I’m lucky enough to be the youngest of a very large
“patchwork-family quilt”.
You attended a
wonderful secondary school. Can you talk about what you liked about it? How
much stress was there among the students, most of whom want to attend highly
selective colleges?
Yes I went to
Saint Anne’s Belfield School here in Charlottesville. I started there in 7th grade and continued through high school. It
was a great place to go to school. It was definitely stressful at times,
particularly as we started preparing for college applications, but working hard
was just part of the norm there. Our teachers were always available to help
outside of class time. They really cared about each of us as individuals and
wanted to see us succeed in developing our unique strengths.
How did you go
about deciding which schools to apply to? What were you looking for in your
college experience?
I approached
college applications like I approach many things in my life.. I went into it
with about 100 ideas of what I wanted to do, and consequently applied to 11 or
12 universities, just to cover all the bases. But above all, I knew that I
wanted to go to a school with a good music program, and live in a place where I
could continue to pursue music outside of school. I was accepted to Berklee
College of Music in Boston, which was the top contender with UVA in my mind.
You have one of
the best wait list stories I have ever heard (pun intended). Can you describe
it some detail. (I would like to be able to have the song as a part of the
interview/post if that is ok with you). I will talk about the reaction of the
admission office in my comments after your answer.
So here I was,
having applied to all these schools, one of which was UVA. UVA was a reach
school for me, so when I was waitlisted I was excited, and pretty determined to
get off that list. The thing I kept thinking about was that somehow I needed to
show the folks at UVA that I was unique, not just another application on a
desk. I was lucky enough to have an amazing college counselor, Jane McGuire.
She suggested, as she often would when I was faced with a challenge, that I
“write a song about it”. So that week I skipped out on the school-wide Field
Day, and wrote Waitlist. At the time I think this was more of a cathartic idea
– that I would write the song to channel my feelings and make myself feel
better – but Jane and I quickly realized we needed to send it in to the
admissions office, because, well, I had nothing to lose! They would either love
it or hate it. But most importantly, it would show the folks at UVA who I
really was.
When did you
first get interested in music? Did you take lessons at an early age? Did you
have teachers, mentors or someone else who inspired you?
I have been singing for as long as I can
remember. I’ve always loved it. My dad was really musical, always singing and
playing guitar. And as I mentioned before, the community I grew up in was very
creative, musically and artistically, and so I think it was just something
engrained in me from a really young age. I would sing in choirs at church and
at school, started playing violin in 3rd grade, and picked up guitar in about 6th. I was always trying to do as much music as
my school schedule would allow. I started taking guitar lessons from local
legend, Devon Sproule. She is an absolutely incredible guitarist and singer,
and if possible, an even better songwriter. She was the one who tasked me with
writing my first song, and who first started to train me in songwriting. In
high school I started attending the Music Resource Center here in town, which
is a great place where kids can go after school to practice, record music, take
lessons, and just hang out. It was there I met some incredible mentors, one if
which, Julie Stossel, will be a dear friend for life. Julie really took me
under her wing and continued to help me with my writing, recording, singing,
you name it. I still send her songs I’m working on for her constructive
feedback. It was at the MRC where I recorded my first album, which I released
when I was 18.
When did you
realize that you had a special talent as a singer? Are there singers you
particularly admire and why do you look up to them?
Singing is
something that always came naturally to me, and something I really loved from a
young age. I was always in choirs, and vocal groups of some kind as a kid, and
was constantly singing, even if I didn’t realize it. But I think it was in 7th grade, with encouragement from a good friend,
that I realized this was something I could really do in front of other people. It
was then that I took up guitar, and started performing in high school, at
school events, open mic nights and MRC events, and just fell in love with it.
Once I started
songwriting, I could never separate singers from their lyrics, so I think I
always admired songwriters more than I admired vocalists specifically. Growing
up we listened to the classic oldies a lot, which I think inspired my pop
tendencies. We also listened to classic Americana, like Lucinda Williams,
Gillian Welch and Emmylou, who have always stuck with me. Later on I really
looked up to lyricists like Ben Harper, the Avett Brothers, Brandi Carlile, and
of course, Devon Sproule.
Can you describe
your transition to your university? You decided to go to a school that you have
grown up around. Was it what you expected given this or did many things
surprise you.
It was actually
very strange to go to college where I grew up, especially at the beginning.
That first year is when everyone moves away from home for the first time and
discovers new places and different types of people, and I really missed out on
that at the time. On the other hand, I had the advantage of being in a town
that is very rich in local music, so I was able to release my first CD here in
my first year, something I could not have done otherwise. I was always kind of
jealous of my new college friends who got to come to UVA and “discover”
Charlottesville, because it is such a little gem of a town. I always expected
that going to college would be like discovering a totally new and different
place, even if it was right around the corner. I think the most surprising
thing was the sameness of it all.
Can you talk
about what you chose to study? Can you name a few favorite classes/profs and
why they were good?
For a long time I
was a psychology and music double major. I loved my classes in both of these
areas. However the double-major life wasn’t for me, particularly because I was
so involved in extra-curricular work, so I eventually chose Psychology as my
focus. But during that time I took some fantastic classes. Music theory and
musicianship were incredibly useful. I was a member of the University Singers
and Chamber Singers with Professor Slon, where I was able to put that music
theory to good practice; I also took a great seminar class my last semester
called the Psychology of Art, which was a perfect way to round off my studies
at UVA.
Can you talk
about the groups you
were a part of?
My first semester
at UVA was the first time in years I wasn’t involved in a musical group. I
didn’t expect it, but I could really feel that void, and found I was really
unhappy without music in my life. So in my second semester I joined a
student-run, all-female a cappella group, Hoos In Treble (HIT), and UVA’s SATB
choir, University Singers. I later joined Chamber Singers as well, which was a
smaller subgroup of University Singers, and took voice lessons through the UVA
music department. I have always loved choral and classical singing, so being a
part of the University Singers and Chamber Singers was a great experience. It
challenged me vocally and taught be a great deal about theory. My a cappella
group in particular was an amazing group to be a part of, made up of incredibly
dedicated and talented friends. It really took the place of a sorority for me.
Instead I was able to be a part of a group of friends who all loved music as
much as I did, and being able to make beautiful music together was incredible.
Meanwhile,
outside of UVA, I was continuing to write my own music, occasionally playing
out and around Charlottesville. However, with all my schoolwork and vocal
groups, it was difficult to find that balance and make time to develop my own
music and writing. I knew it was something that would have to wait a little
longer until I finished my studies.
You have some big
things happening with your music now. Can you describe what you are doing (Here
is your chance to talk about the EP, please devote some time and detail so
everyone knows about it such as dates of release and where you might be
performing too.)?
I’m very excited
about this upcoming year in music! Over the past year I’ve been working on my
new EP, ‘My Old Habits’, out at Monkeyclaus Studio in Nelson County, with
producer Dave Stipe at the helm. We have some great musicians joining me on
this project, including UVA’s own Butch Taylor, Sam Wilson (Sons of Bill),
Johnny Stubblefield (Parachute), Chris Pandolfi (Infamous Stringdusters), and
several other local gems. It’s been a true honor working with these musicians
so far. The record is comprised of songs spanning almost 8 years of writing,
the earliest of which I actually wrote in high school. We are very close to
polishing up this project, and earlier this month I launched a Kickstarter
campaign to help fund the last mile. The campaign runs until New Years Day, and
all proceeds go toward funding and releasing this record, as well as some new
recordings in 2016. All backers of the campaign will get a copy of the EP as
soon as it is finished, so it’s a great way to preorder a copy! Depending on
the donation, backers can also get rewards from merchandise and album art, to
even joining us in the studio. We are planning on a spring release, at which
time the record will be available on iTunes for all other listeners!
https://www.kickstarter.com/projects/1187428563/genna-matthews-new-ep-my-old-habits
If you had to describe
your musical genre what would it be? What do people on the outside of the
music industry need to know about recording an EP? What is the balance of work,
fun and stress for you?
I think my music
can be described as folk-pop, though this record also has some Americana
running through it. This recording project has been a real learning experience
for me. It can definitely be stressful and overwhelming at times, but actually
getting into the studio and bringing your songs to life is the greatest feeling
in the world. I wish I could do it every day. This was the first time I’ve
heard a full band on my songs, and being able to collaborate with other
musicians gives these songs new life. Collaborating with my producer, Dave, was
also a very new experience for me. It’s strange trying to explain your vision
of a song to another person, but I think Dave and I work really well together.
Sometimes he would challenge my ideas with his own, and would end up totally
making the song by changing one simple thing. Sometimes in songwriting, it’s
easy to get stuck in your own tendencies and feel confined, but collaborating
with others was a much-needed refresher for me.
After your EP
comes out what will you be doing to promote it?
This Kickstarter
campaign has the added benefit of being a great promotion tool. I’ve been able
to connect to countless new listeners through this campaign, and am able to
keep in touch with everyone who backs the project, so I will be able to update
all my backers as the release approaches. I am also very lucky to be in a city
like Charlottesville that is so supportive of local music. There’s a real
supportive community of musicians and listeners in this town, who are always
there to help spread the word. I’m hoping to release the title track on local
and regional radio stations to help promote the release get folks fired up
about these songs!
What advice do
you have for others who might be thinking about pursuing a career in music? Are
there things you wish people had told you?
I’m learning new
lessons as I go, and one thing I’ve learned is that you need to appreciate and
cultivate what makes your “voice” unique and special. Particularly if you’re
pursuing music, you’ll find yourself surrounded by incredible musicians, and
it’s easy to feel intimidated and thwarted. But instead of trying to emulate
others, it’s important to focus on your unique talents, and do everything you
can to strengthen them. I’ve certainly wasted my energy and time fretting that
I didn’t sound a particular way.
You live in a
town known for its music scene. Are you going to stay here for a while or do
you have plans to go on the road or to another city?
I love
Charlottesville, and the music community is really unique here. As I’ve
mentioned, this community is very supportive and inspiring to be a part of, and
it really has a lot to offer someone like me. It’s so motivating to be
surrounded by so much talent. But as I’ve grown up here, I definitely have a
strong urge to travel and move to a new city. Charlottesville is a hard town to
leave, but I can definitely see myself hitting the road for a new music town in
the not so distant future.
******************************************************************************
When I first heard Genna, I was sitting in my office at the
university I worked for as an admission dean . It was Spring and I was tired.
I’d just been through a grueling reading season. Thousands of applications had
passed across my computer screen. So many wonderful students and so few spaces.
So many students with the grades, the programs, the testing, the essays, the
recommendations, the activities and experiences. And only a small percentage of
them got in. Then I heard Genna and I knew we’d take at least one
more.
Genna has recorded a song and submitted to the admission
office. It came directly to me because I
knew her college counselor, Jane McGuire, and she gave Genna my
name. I put the CD on and I loved the song. It's witty, beautifully moving
and does not try too hard either. It just does what it
does exceptionally well. After listening to it several
times, I took the CD around to some other offices and let some
of my colleagues listen to it. Everyone loved her voice,
the lyrics and the way she had approached all this.
In that particular year, there were very few places for
anyone on the wait list to get offered a spot, but she stood out
because of her creative and innovative approach combined with her special
talent.
Her time at Uva demonstrates she contributed significantly
to the life of the university with her many activities and her performances in
town. It is wonderful that she is now preparing to get her EP out so that we
can enjoy more of her talent. Her interview also demonstrates that she has not
gotten where she is on her own. She has many mentors and
fellow musicians and a few profs who have helped shape the person she
is. Whether it is music or biochemistry or creating a start up having a
mentor is essential.
I hope that readers will go to her kickstarter page and
contribute. You are helping a star in the making. I think you will be glad
you did. If you go to the link below you can find out what you can get by
contributing to her campaign. You will also get to hear and see her perform a
bit of her music too:
https://www.kickstarter.com/projects/1187428563/genna-matthews-new-ep-my-old-habits
I would like to thank Genna for sharing her inspiring story
and her wonderful music too. She demonstrates that there are ways of coming
across to admission offices that are not just a set of numbers. She was also
lucky she had a good college counselor who could suggest an innovative approach
too. If the moral you learn from this tale, however, will lead you to send in a
new versions of a wait list song (should you not immediately get in to the
school of your dreams), then I need to make this point. Genna did something new
and innovative. Those who try to do the same thing, but just a bit differently,
are demonstrating they can imitate well but not that they necessarily have the
character traits highly selective schools look for.
There are many ways to demonstrate talent, interest and
moxie and I hope each student will discover his or her own approach.
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