The following essay was submitted as a part of the application materials to highly selective universities in the US.
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I travel frequently. Well, fairly frequently for a girl from
tobacco country. And I have a bit of the philosopher in me about the whole idea
of a journey, of the movement-as-search-for-the-unattainable-desire already
memorialized in Joyce’s Dubliners-- my
favorite book for planes. But on one trip, I encountered someone who taught me
truths about myself, instead of allowing himself to be pigeonholed into one of
my all-inclusive labels.
I was fourteen, and traveling by myself to France, trying to
keep my rapidly inflating ego in check. I was on a train heading from Paris to
Limoges—some four hours away—where I planned to meet my god sister. Then a
bearded man walked into the compartment. Then another man. I panicked. Although
I had already taken two years of French, I spoke awkwardly at best, and could
comprehend little. Especially when a Frenchman stuck a cigarette between his
lips, yanked at the window, nodded to me, and then loosed a stream of mumbled
vowels. I debated whether or not to risk a conversation, then decided against
it. With my luck I would probably tell him I had eaten the window with orange
and fish.
“Desole, je suis americaine,” I said, and added my perkiest,
most desperate smile. “Forgive me”, I tried to telepath. “Your country is
beautiful. Love those pastries.” It was going to be one heck of a train ride.
The second man sat next to me. He was young—probably just a
university student. Acne scars scraped across his chin.
“He wants to know if you would mind if he smoked a
cigarette,” he translated.
“You speak English!” I cried. Too loudly, I think. He drew
back as I leaned toward him excitedly, like a hungry dragon swooping in for the
sacrifice. “Oh, tell him I don’t mind at all. Where did you learn to speak
English?”
I found out that my first impressions were right. He was a
university student from Budapest, named Ishmael, a beautiful name linked inexorably
in my mind with Melville and his great novel. He shared his lunch of apple and
potato chips with me, as we discussed eastern European politics, something I
knew nothing about.
“What was it like to live under Communism?” I asked. I’m
talking to a real live oppressed person I thought in my happy ignorance. His
face changed and he gave me a dark smile.
“I was too young to know, but my mother told me that when
she grew up any time anyone complained about Communism in the house someone
would tell her, ‘Be Quiet! The walls have ears!’” His voice was like the
after-hum of bees.
“Things are not that much better for many now. Not like
America.”
“Our political situation is deteriorating, I said. “Along
with the tolerance in my country for people of different backgrounds,
religions, socio-economic stations.” I realized simultaneously how intelligent
I sounded and how pompous I was. Still, I would never be gagged from speaking
in my own home.
The topic of our conversation spread, as teenage talk
usually does. We discovered both had an affinity for Mahler and the Beatles,
Kandinsky and Sam Francis, Milan Kundera and T.S. Eliot. He lectured me on the frivolity of nineteenth
century literature and I disagreed. Then, glowing and keyed up with my own
intellectualism, I brought reality, the mother load of all philosophical
ponderings.
“I think nothing is real but our basic instincts. Eating,
sleeping, breathing, coveting,” he said. “What about art and literature?” I
asked. The other people in the compartment were looking up as my voice grew
shrill. “What about God and envy and reason, and everything else like that?”
“How do you know those things exist?”
“If we didn’t how could we conceive them?”
“I don’t know”, he said calmly “I don’t know how something
like reason came about.”
“Reason is instinct!” I said. My voice rose a pitch higher.
“Reason lies at the base of all other instincts. Man has the instinct to forage
for food. But the reason—because he is hungry—is behind that instinct. It is
behind every instinct.” Ishmael bent his head slightly. A blush started under
his pimpled skin.
“You are probably right,” he said very quietly. “I do not
know how metaphysics are taught in the U.S. (here I realized I didn’t know what
metaphysics was) “and it has been too long since I studied philosophy.” Seeing
how he gracefully bowed in defeat to me, a young kid, because he realized just
how much I wanted to win, to show him how much I knew, I calmed myself, took a
deep breath, and understood how much smarter he was than I.
I would learn more from Ishmael than I did from my train
seat, with the French villages rising and falling away outside our windows like
the blue-veined legs of old women, and unfiltered cigarettes burning the air. I
would grow again, and learn again, from traveling on these metamorphic journeys
to somewhere I had not yet reached. But I brought away from our encounter an appreciation
for simplicity in humanity. The Hungarian student acting gallantly to a lost
American share the same face as others, a face I have come to recognize. It is
the face of a person taking joy in things, things like being able to speak
freely, to argue out loud, or to not say anything at all.
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Rate this essay from 1-5 with 5 being the highest mark. What
rating did you give it and why?
What 3 words would you use to describe the writer of this
essay?
What is this essay really about?
How would you describe this writer’s voice?
This essay exceeds the word limit for the Common Application.
What would you advise this student to cut to fit the limit?
Many ‘experts’ on admission essays tell students not to
write about trips and travel because they often smack of privilege while
Disneyfying the place and the people. Do you think this is true of this essay?
Why or why not?
Is this student independent? Support your answer with
details from the essay.
The student underscores her intelligence several times in
the essay. Is this off-putting? Should she be more humble?
Does this essay help predict academic success? If yes, what
makes you think so?
Would you want this student as a roommate?
Do you have philosophical discussions with your friends or even
with strangers? When was the last time this happened?
Would this essay make for a good scene in the sequel to the film Inside Out? Why or why not?





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