The following essay was submitted to highly selective
universities.
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The woman wanted breasts. She had fame waiting on her like a
slave, money dripping from her fingertips, and men diving into her very being.
Yet she wanted breasts because the world wanted her to have a bust. She looked
at the big black and white glossy of herself arching on a silken carpet and
knew that the world would be satisfied with her airbrush deception.
This woman is us. My family has been in existence for nearly
20 years now, and we are aging and losing our own breasts and tight face—the giddy
happiness of a child’s unconditional love for his family, the young family’s
need for each other. Yet we are constantly pressured by society’s icons into
compromising our change and age instead of accepting it. Although we are by no
means a dysfunctional family, we are eons away from the sugary likes of a
Disneyfied sitcom. During our eighteen-year stint as a family the downs seem
more memorable than the ups.
So when my mother announced that we’d be getting a family
portrait taken, I was not surprised. A few hundred-dollar photo of us acting
like a tightly knit, happy unit was sort of like a drug for my mother. It was a
chance for her to wipe out with one clean stroke, the often horrible memories
of he years past. It was a chance for us to repaint our faces in the mirror.
So, on Sunday we all stepped out of our sweats and frowns
and prepared to arch on a silken carpet. My father had put on a black suit and
tie. My mother was covered with a long red dress and was contemplating make-up.
My tomboy sister was sporting a scoop-necked dress, and I had slicked back my
hair and dressed with a button-down shirt and non-denim pants. The occasion had
the surreal formality of preparing for a Kabuki play.
When we got to the studio our splendor, we were greeted by a
longhaired man wearing a Victorian shirt. His smile betrayed the monstrosities
to which we’d be subjected.
“Think warm, happy thoughts,” he said as he maneuvered us
into positions that pleased his eye. “Cross your ankles. Cross your legs. Don’t
cross your eyes. Look strong. Look dignified. Lean against Daddy. Put your arms
around your wife. Put you hand on your husband’s. Lovingly. Relax.”
As I was herded around in the back as the symbolic young,
male family backbone, I could see all the little things that the camera would
not catch. My sister did not feel adorable sitting on Daddy’s lap. My parents, plastic-faced,
Barbie smiles, ready in ammunition, were desperately trying to feign affection.
They say that the camera never lies. What they don’t say is
that we can lie to the camera. If an actress really wants her pores gone,
breasts enlarged and hair added, there’s always the magical world of touch-up. This,
in effect, was the world that we entered that Sunday. It was humiliating to pretend
to be people we were not, especially when I did not feel that our family was so
badly out-of-join to need such embellishment. But the twinkling music and the
shimmering white curtains of the studio enveloped us in its opiate-like grip.
It was intoxicating to be a perfect family and we became willing clay under
society’s manipulative hands. In half an hour, we grew luscious breasts that
would seemingly seduce generations to come. There’s Mom and Dad, looking so
loving and proud. There’s dainty Sophia, oh-so-flowery. And me: that tower of
strength. But I would not wax nostalgically for the wonderful false perfection
of the past. The photo is an allusion, just another vain attempt to conform
with society’s ideals. Instead of an enhanced family bust, we’ve ended up with
a third breast airbrushed into our photo selves.
*********************************************************************************Questions
Rate this essay from 1-5 with 5 being the highest mark. What
rating did you give it and why?
Is this student smart? Defend your answer.
How would you describe this student’s voice?
If you had to guess, what kind of background does this
student come from (race/ethnicity, geographical location, economic background)?
Would knowing these things before hand alter the way you would read this essay?
Why or why not?
Did the student pick a good topic for his essay?
Would you categorize the essay as risky, and if so, in what
way?
How do you think this student feels about his family? Should
he share this in an admission essay?
Do you think he makes good points about the way media effects
the way we act and the things we want?
Do you think parents should read over their children’s essay
before they send them to universities? Defend your answer.
Would you want this student as a roommate? Why or why not?
If you had to guess what this student will be do after university
what would it be?
Do you think universities like risky essays? If yes, where
did you get this impression?
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