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Monday, March 25, 2013

10 New Commandments: A reader's guide, Part I


Augustine



I am a sinner. I admit it. I have broken every one of the commandments. And sometimes I liked it. But most of the time I have tried to abide by them. I have found that doing so has brought me great gifts, and, if not peace of mind, then pieces of minds that have helped my own. If this sounds Satanic, it isn’t. The commandments I am talking about are not the ones most are familiar with. I have brought a new set down, not from a mountaintop, but from the web instead.

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Ten Commandments

I.             Thou Shalt not Skim

II.          Thou Shalt Leave Thy Literary Comfort Zone

III.       Thou Shalt Not Be Distracted While Reading

IV.       Thou Mayest Read Books For Distraction

V.          Thou Shalt Not Avoid Demanding Books

VI.       Thou Shall Not Compare The Book To The Film

VII.    Thou Shalt Reread

VIII. Thou ShaLt Read In A Foreign Language

IX.       Honor Thy Writer: Read New Writing

X.          Thou Shalt Always Be Reading Something




The author of these words is not omnipotent. He is however an omnivore. Not of food but of words. His name is Joseph Luzzi.  He is a professor of Italian literature. Like Tim Shutt, he believes Dante’s Divine Comedy may well be the best work of literature ever written. But he also believes that the words we read, of whatever sort, create a state of mind that is powerful and well-run, or functions as a failed nation state inside our head.

His commandments are a part of lectures on the art and the science of reading. I will be commenting on each of the commandments in subsequent blogs, but I do feel the need to confess that I have not been saintly in my life. I have not been able to follow any of these with singular devotion; the ticks and tocks of days, the obligations and conversations, and dull drone of keeping the books instead of being able to read great tomes all have made me what all of us are, poor sinners who need a guide to bring us out from the Inferno into the heavenly light of grace granting worlds and words. 

Tapestry inspired by Botticelli's 3 Graces


The graces I speak of are the stories that others tell that lead us into the temptation of knowledge. The writers are not serpents in a garden; instead, they are the Virgils and Beatrices--versions of Dante's guides. And they take us on a journey that is now, in our modern world, a meandering road less travelled by. Some are guides toward the light and others are cautionary tales, but many of them will change our vocabulary and our syntax, those building blocks that create a foundation for the shining city on a hill that promotes freedom and ethics in our own bodies and minds, and, if we are lucky and good, in others too.

Virgil leading Dante through the Inferno




The first commandment is impossible to live by regularly. Why? As writers like Luzzi and Daniel Pink and Nate Silver point out, most of us spend a great deal of time in our days simply sorting through the overwhelming amount of information that comes to us via Facebook, email, twitter etc. It can take hours just to glance at all the new notifications that ping, pop, and plop in our electronic in-boxes. In order to survive most of us have become world-class skimmers.

We compete daily to get through the overwhelming amount of data we have coming our way and at the same time try to keep up with the routine tasks of our jobs and our lives. Learning to skim is one of the more necessary skills it takes to survive.

But Luzzi is right too. Some of the words, often in books or long articles, took years to complete, research, edit, and finally publish. The words jump or dance or do something other than sit quietly waiting for a partner. Instead they ‘sinduce’ us, a word invented by Joyce in Finnegan’s Wake the slowest read I know of. The words are hot and expect passion in return. They want a passionate affair instead of a quick kiss on the cheek.



And if we take the time to fall in love with a book or an author we will have a life-changing experience.  The pleasures of the text, a phrase stolen from Roland Barthes, will be a starting point for the second part of my effort to encourage ‘the marriage of true minds’ that will grow, mature, and nurture children over a lifetime of close reading with what we determine will be our sacred texts.

Inferno: Paolo and Francesca, Virgil and Dante

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